It isn’t easy to classify all of the Disney animations, not just because there are many of them. These movies mean so much to a lot of people, are connected to the powerful memories of childhood, and are the basis for what many people think of as wonderful.
Comparing their strengths and weaknesses is more of an exploration of why you enjoyed the subject matter as it is their value as a creative endeavor. Here iMEDIABUZZ list best movies on disney ever made.
The Best Movies on Disney Ever Made Ranked from Worst to Best
1: The Hunchback of Notre Dame (1996)
There aren’t many more challenging films within the Disney animated canon than The Hunchback of Notre Dame since there aren’t many more thrilling scenes or songs like “Hellfire.”
A large portion of the movie lines up (as much as you’d hope) with the Victor Hugo novel on which it is the basis.
The charming, cheeky Quasimodo is detained and smothered at bay within the Notre Dame Cathedral by the impolite and cruel Judge Frollo and has an issue of his own: his strong romantic feelings for the gorgeous female gypsy Esmeralda, who he sings in the operatic song “Hellfire.”
It’s one thing for a villain in the history of filmmaking at Disney to want to murder the good guy, but it’s an entirely different thing for him to desire to be in love with the girl openly.
“Hellfire” visually conveys this with a stunning visual style, and the film surrounding it is awe-inspiring in its animation, some unforgettable songs, and an exquisitely crafted lead role. (The less is said about the wise-cracking gargoyles, the more enjoyable.)
2: The Emperor’s New Groove (2000)
The mileage you get from this film could vary based on this film’s position in the rankings. Certain people truly appreciate The Emperor’s New Groove (as a result, it’s among the top five Disney animated films ever made); however, your mileage could be different.
This is a very different and unique Disney film, partly because it was produced quickly, rescuing the useful parts of a completely different, more dramatic version of the film, which was directed by one of the co-directors from The Lion King.
The result is a light and funny film that demands many of you to devote an extended amount of time to a man turned llama, who David Spade voices.
Although Emperor Kuzco does not look exactly like Spade, his persona is recognizable, and if you’re not a fan of the SNL star and his character, then this film could be a bit rough.
However, comedy comes quickly and furiously. The sly pair consisting of Yzma Kronk, Yzma Kronk (Eartha Kitt ), and Patrick Warburton) are perhaps hilarious villains of Disney history.
3: Winnie The Pooh (2011)
In contrast to its predecessor from 1977, Winnie the Pooh tells the full story, although in a quick manner. (Along with Dumbo, it’s the shortest feature film, except package films, within the Disney canon.)
In the same way, as its predecessor, the same sense of humor, love and peace is portrayed in this one. It’s a pity that this film of 2011 is the final hand-drawn film within the Disney canon, largely because it did not cut at the box office.
(That’s the case when you play a new film for children that is a sequel to the last entry of the Harry Potter franchise.
You wouldn’t have guessed!) Eight years after the fact, Winnie the Pooh remains an under-appreciated Disney masterpiece, with a lively, humorous byplay, strong songs, a great refresh on the actors (including John Cleese as narrator), and many more.
4: Aladdin (1992)
The structure of many Disney animated films is usually in contrast to the memories we gain from the films. When it comes to Aladdin, it’s easy to imagine the film as a true representation of the Genie, who is released from his lamp-like confinement by the titular character.
Once the Genie, played by Robin Williams, is out, He dominates the movie with his quick wit, pop-culture references, and generally humorous vibe. It takes only 30 minutes of the 90-minute runtime to meet the Genie.
And as charming as he may be, Aladdin and Jasmine’s two romantic leads aren’t the most engaging. Unlike future Disney films focusing on people of color, Aladdin and Jasmine seem to be more off-brand Beverly Hills 90210 characters than Middle Eastern teenagers. Here’s an example of music, animation, and the side characters again saving the day.
5: Snow White and the Seven Dwarfs (1937)
Let me tell you, The fact that you are the first doesn’t mean you’re the best. Sure, Snow White and the Seven Dwarfs is among the most important and influential movies of our time since it proved to the public and the film industry that animation was an appropriate method of storytelling for feature films.
In hindsight, Snow White is a model to Walt Disney and his animators, as well as the many storytellers influenced by the film of 1937. Snow White is a one-dimensional protagonist compared to heroines like Belle and Ariel.
The dwarfs (who appear for a total of 30 minutes) are the type of comic relief that could be improved as time passes, and in fact, the prince hasn’t an identity. (He isn’t even recognizable.) But there’s an element of creativeness in the images as well as the fluidity of the camera that was previously thought to be impossible.
The animation alone can make this movie a top contender in the rankings, even if the plot will be enhanced with subsequent enhancements.
6: Dumbo (1941)
It’s not difficult to think that Pixar Animation Studios has cornered the market in introducing sadness as an essential element in its films. However, Pixar has learned lessons from Disney films such as Dumbo.
The 1941 film, partly because of budgetary considerations, ‘s a light experience that runs only 65 minutes. In the 65 minutes, it takes a lengthy period for the huge-eared Dumbo to take off (the image so popularly associated with the film).
Then Dumbo is born, and Dumbo must be brutally taken away from her mother, following the couple’s emotional reunion in the cage bars during “Baby Mine,” which is still the most tragic Disney track and scene ever.
Dumbo is now the subject of real, legitimate backlash due to racial stereotypes (an unsettling commonality present in many earlier Disney films); however, it plays into the joy and pain of the parent-child bond in a way that few other films can.
7: Fantasia 2000 (1999)
Perhaps not as inventive as the previous film, Fantasia 2000 is still an incredibly charming example of what occurred in the days when Disney animators had some freedom in the present day to allow their creative imaginations to go free.
Like Fantasia, the follow-up to 1999 mixes works of music from classical composers with animated shorts with no dialogue that feature anything from flying whales to the volcanic spirit of the ice-skating jazz singer.
Fantasia 2000 is more accessible than Fantasia, packed with famous guests, a less long time to run, and more Disney characters.
However, it’s a fast, stunning variety of styles in animation that suggests this: Walt Disney was right in deciding that Fantasia could continue to be a success. Unfortunately, we’ve only had two movies in the span of the course.
8: The Little Mermaid (1989)
The Little Mermaid played a similar role to Disney Animation as Cinderella had over 40 years ago. Did the studio continue to make emotionally enthralling, transportive animation films based on fairy tales we grew up with?
This 1989 movie, directed and written by John Musker and Ron Clements, could answer that question with a clear “yes.” It was a Hans Christian Andersen adaptation focused on how young Ariel exchanges her voice for legs that are real in the hope of experiencing the real-life experience.
The Little Mermaid succeeds where other films didn’t by offering its heroine a fascinating character development and a more solid backbone, as well as modernizing the other elements in an up-to-date manner without being dependent on the period it was made.
With music from Alan Menken and Howard Ashman instantly becoming iconic, The Little Mermaid represented a great balance of old and new methods of telling stories from the classical era and is a great illustration of storytelling based on princesses.
9: Moana (2016)
There are many ways that Moana is deeply influenced by influences like John Musker and Ron Clements. The first of their successes is The Little Mermaid. Both are about the child of a tribe leader, both about the ocean, and both have singing crabs and tell the story of a young woman who wants more than the quiet life that her family allows her to live.
What makes Moana superior to Mermaid is not just its eye-popping computer animation but also its more modern take on the character of a heroine as well as the kind of future she envisions for herself.
It’s also because Lin-Manuel Miranda’s lyrics are innovative and appropriately fun, as are the songs composed by Alan Menken and Howard Ashman for The Little Mermaid. In addition, Dwayne Johnson’s enthralling, exuberant performance as the god Maui and a touching final scene delight, and Moana is a shining light.
10: Zootopia (2016)
On the other hand, the idea of connecting the predator and prey in this film to people of various races is, at best shaky. However, Zootopia is a unique, well-written, deftly written, and paced film that was hugely popular for Disney just a few years ago, which earned the studio a second Best Animated Feature Oscar.
The film is set in a world where each animal is anthropomorphized, and there are no humans; Judy Hopps (Ginnifer Goodwin) attempts to be a successful bunny police officer despite her size while teaming up with the agile Fox Nick Wilde (Jason Bateman) to solve a massive city-wide mystery.
Zootopia is a blend of the comedy genre of buddy cops with stunning and intricate world-building is a slick, elegant film that is very funny and is the only Disney film that may not have a sequel just once; it deserves it.
